Heilige Magdalena en Catharinakerk, Gothic Revival parish church in Bruges, Belgium.

Heilige Magdalena en Catharinakerk is a Gothic Revival parish church featuring tall pointed arches, vaulted ceilings, and steep facades. The interior displays characteristic elements of this style with columns, colored windows, and a carefully designed choir space.

A 1270-1272 predecessor, the Sint-Catharinakerk, stood just outside the 1297 ramparts and was demolished in 1578 for strategic reasons; the parish then used emergency churches, lastly the Magdalenagasthuis chapel on the Garenmarkt (1804-1853). In 1850 Bruges bought the Recollettenhof garden and gave its southern part to the parish for a new church. Pierre Buyck supplied a Tudor-style preliminary design, reworked in Gothic Revival style by the English architect Thomas Harper King and, after King left for England, completed by Bruges architect Antoine Verbeke. Construction began in 1851, was largely finished in 1853, and the tower followed in 1856.

The parish takes its name from Mary Magdalene after the 1801 split of the old Saint Catherine parish, whose 1270-1272 church stood outside the walls and was demolished in 1578. Since 2002 the church and its rectory have housed YOT, a group calling itself a laboratory for worldview that questions the divide between believers and non-believers and works on themes such as the meaning of life, suffering and death, happiness and progress. The building remains recognised for Catholic worship while opening to other groups.

The church stands in the Magdalenawijk, on land sold by the city in 1850 from the former Recollettenhof garden. The tower was finished only in 1856, three years after the rest. The organ, built by Schyven in 1873, was moved from the rear gallery to the right apse.

The church's furnishings were conceived as a single neo-Gothic ensemble: Antoine Verbeke designed the high altar, side altars, communion rail, four confessionals, pulpit and organ cases. In the 1950s and 1960s a pastor had the walls, including the fourteen Stations of the Cross, painted over in one cream colour, and bulldozers destroyed the high altar and side altars.