Palais Bulles de Pierre Cardin

The Provence-Alpes-Côte d'Azur region depicts a land where architecture narrates a thousand years of history between sea and mountains. From the 12th-century Cistercian abbeys to the brutalist experiments of Le Corbusier, this area features an exceptional built heritage shaped by Mediterranean light. You can find fortresses perched on rocky promontories, Romanesque monasteries where Van Gogh depicted his struggles, and contemporary museums that interact with the blue of the Mediterranean. Vineyards contain large-scale sculptures, the perched villages of Luberon display their medieval architecture in light stone, and Belle Époque villas in Cap d'Antibes mark the golden age of the Riviera. Between the limestone cliffs of the Calanques and the alpine valleys carved with prehistoric signs, Provençal architecture follows the contours of the land, capturing shadow and warmth, blending tradition and modernity. From the port of Marseille to the hanging gardens of Èze, each building bears the mark of a region where Cistercian builders, military engineers, visionary artists, and contemporary architects have inscribed their visions in stone, concrete, and landscape.

The French Riviera between Monaco and Saint-Tropez features a diverse architectural heritage reflecting centuries of history. Visitors can explore medieval villages such as the historic center of Grasse, known as the perfume capital since the 16th century, or Saint-Paul-de-Vence, home to the Maeght Foundation and its modern art collection. The region also has Belle Époque buildings like the Negresco Hotel in Nice, along with 20th-century architectural creations such as the Palais Bulles in Théoule-sur-Mer. Mediterranean gardens are another attraction along this coastal area. The Villa Ephrussi de Rothschild in Saint-Jean-Cap-Ferrat has nine themed gardens with vegetation suited to the local climate. The Bastide du Roy in Antibes preserves its geometric gardens and century-old olive trees. The coastline offers several vantage points overlooking the Mediterranean Sea, notably from the Le Corbusier Promenade connecting Cap Martin to Monaco over two miles, or from coves like Coco Beach where rocks and pebbles enable swimming and marine life observation.

This collection gathers examples of architectural rehabilitation where former industrial sites have been transformed into new spaces for living, culture, and gatherings. These projects illustrate how contemporary architecture can give a second life to structures that marked European and North American industrial history, while maintaining their original identity. Included are the Oberhausen Gasometer, a 117-meter gas holder converted into exhibition space, the Van Nelle Factory in Rotterdam, an old coffee and tobacco factory turned cultural venue, and the High Line in New York, a 1930s elevated railway converted into a 2.3-kilometer urban park. The Zeche Zollverein complex in Essen showcases Bauhaus-style industrial architecture from the 1930s, while Strijp-S in Eindhoven, a former Philips production site, now hosts creative and technological studios. These sites demonstrate the possibilities offered by repurposing industrial heritage into accessible public spaces.

Architecture does not have to follow straight lines and right angles. This collection presents buildings that stand out through their form: domes, spirals, tilted facades or organic structures that recall animals or plants. From Gaudí's mosaic covered works in Barcelona to the stacked concrete cubes of Habitat 67 in Montreal or the conical trulli of Alberobello, these structures demonstrate alternative approaches to construction. Some emerged from technical necessity, such as the temporary cardboard cathedral in Christchurch after the 2011 earthquake. Others are artistic statements: the Guggenheim Museum in Bilbao with its titanium plates, the Dancing House in Prague or the cubist houses in Rotterdam. In Đà Lạt, the Crazy House transforms tree trunks and caves into habitable spaces, while the Atomium in Brussels represents a magnified iron crystal. These structures attract visitors but also raise questions about function and livability. The Longaberger Basket Building in Ohio takes the form of a seven story basket. The Lotus Temple in New Delhi uses concrete shells to form 27 petals. The Aldar headquarters in Abu Dhabi resembles a circular coin. These buildings expand the definition of what architecture can be.