Decorated Farmhouses of Hälsingland, Traditional wooden farmhouses in Hälsingland, Sweden.
The Decorated Farmhouses of Hälsingland comprise seven preserved wooden estates featuring large two-story structures with painted doorways, detailed window frames, and intricately decorated interior walls. Each building displays distinct regional architectural details that showcase the craftsmanship and resources of its builders.
These wooden farmhouses were built during the nineteenth century by wealthy farmers who accumulated fortunes through flax cultivation and timber trading in the region. The ensemble received UNESCO World Heritage Site designation in 2012, acknowledging their architectural and cultural significance.
Farmers displayed their wealth and status through elaborate room decorations featuring religious imagery, floral designs, and artistic styles inspired by Baroque and Rococo movements. These decorations reveal how rural families expressed their connection to broader European artistic traditions.
Four farmhouses remain accessible to visitors: Bommars, Erik-Anders, Gästgivars, and Pallars, each showcasing different aspects of regional building and decorative traditions. Visiting conditions and opening times vary seasonally, so planning ahead is helpful for making the most of your visit.
These buildings contain up to fifteen rooms that were elaborately decorated specifically for celebrations and social gatherings, while their exteriors remain painted in simple red. This contrast between ornate interiors and modest outward appearance reflects how families strategically allocated their wealth.
Location: Hälsingland
Inception: 2012
GPS coordinates: 61.70722,16.19583
Latest update: December 6, 2025 16:04
The neo-Moorish architecture developed in the 19th and early 20th centuries, driven by European interest in oriental forms. This architectural movement combines Western building elements with Moorish decorative motifs: horseshoe arches, carved arabesques, geometric mosaics, and ornate stuccoes. This stylistic synthesis appears in a variety of structures, from places of worship to private residences, theaters, and city fortifications. The collection gathers representative examples from across Europe and beyond. In Marseille, the Alcazar Grand Theatre has displayed a façade decorated with oriental patterns since 1857. The Great Synagogue of Brussels, inaugurated in 1878, demonstrates the adoption of this style in Belgian religious architecture. In Germany, Drachenburg Castle near Bonn incorporates Moorish elements into a late 19th-century villa. The movement also reaches unexpected locations: Brighton’s Royal Pavilion blends Indian and Islamic influences for a British royal seaside residence, while rural farms in Hälsingland, Sweden, include ornaments inspired by this orientalist trend. From Pena Palace overlooking Sintra to the Justo Sierra Synagogue in Mexico city, these buildings exemplify the international spread of an architectural style that profoundly marked its period.
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