Austrian Postal Savings Bank, Art Nouveau bank building in Innere Stadt, Vienna, Austria
The Austrian Postal Savings Bank is an eight-story banking institution with a white marble facade and characteristic aluminum rivets that create a continuous grid pattern. The central hall features a glass floor that allows natural light to reach lower levels while serving as the main transaction area.
Otto Wagner designed this banking institution in 1904, implementing innovative construction techniques with reinforced concrete and aluminum. The building marked a turning point in Viennese architecture by visibly integrating technical progress into its outer form.
The building represents a break from traditional architecture, introducing modern design principles through its functional layout and material choices. The facade with its characteristic rivets still speaks today of the desire to make functionality visible.
The building is centrally located in Vienna and easily accessible by public transport from multiple directions. The interior is well-lit and offers clear access to different areas, with stairs and elevators easy to find.
The facade consists of around 40,000 bolted marble plates and aluminum decorations, making the exterior resemble a giant safe deposit box. This handcrafted detailing was a remarkable technical achievement for its time.
Location: Innere Stadt
Architects: Otto Wagner
Architectural style: Art Nouveau architecture
Address: Georg-Coch-Platz 2
GPS coordinates: 48.21000,16.38030
Latest update: December 7, 2025 10:08
Between 1890 and 1910, Art Nouveau spread across Europe, producing buildings that combined craft traditions with industrial techniques through organic forms, natural motifs, and detailed ornamental work. Architects including Victor Horta in Brussels, Antoni Gaudí in Barcelona, and Otto Wagner in Vienna designed structures that departed from historical revival styles, instead emphasizing curved lines, wrought iron elements, and colored glass. The movement encompassed concert halls and railway stations as well as private homes and commercial facades, creating a body of work that remains central to the architectural identity of several European cities. Visitors can trace this development through multiple locations. Brussels offers the Victor Horta Museum, Tassel House, and Hôtel van Eetvelde as prime examples of the Belgian variant. Barcelona showcases Gaudí's Casa Batlló and Bellesguard alongside the Palau de la Musica Catalana with its elaborate tilework. Paris preserves Hector Guimard's Métropolitain entrances and the Lavirotte Building, while Prague presents the Municipal House and the Bedřich Smetana Museum. Nancy serves as a center of French Art Nouveau with the School Museum and Villa Majorelle, and Budapest displays the style through Gresham Palace and the Liszt Academy of Music. From Riga to Turin, Vienna to Belgrade, these buildings document a brief but influential period when architects reshaped urban environments across the continent.
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