Saint Petersburg Mosque, Main mosque in Saint Petersburg, Russia.
Saint Petersburg Mosque is a place of worship in the city center with two slender towers and a large dome covered in blue and green ceramic tiles. The facade shows geometric patterns and script, while the interior holds several prayer halls and side rooms for the community.
Construction started in 1910 to designs by Nikolai Vasilyev and was completed in 1913, when the city was home to a growing Muslim population. The building arose during a period when religious tolerance allowed new places of worship to be built.
The building serves the local Muslim community for daily prayer and gatherings, drawing believers from across the city and nearby regions. Its name reflects the location, and its appearance blends domes and slender towers with tile work that fits Islamic design into a northern setting.
Visitors need to remove shoes before entering the prayer rooms, and women should have head coverings ready to wear when stepping inside. The complex is easy to spot from the street and can be reached on foot if you are in the northern part of the city.
The interior walls display Arabic calligraphy alongside Russian decorative elements, making both traditions visible. This link between eastern and northern design approaches is especially noticeable at the entrances and in the niches.
Location: Saint Petersburg
Inception: 1921
Architects: Nikolai Vasilyevich Vasilyev
Official opening: 1913
Architectural style: national Romantic style
Capacity: 5000
GPS coordinates: 59.95517,30.32389
Latest update: December 5, 2025 16:35
The neo-Moorish architecture developed in the 19th and early 20th centuries, driven by European interest in oriental forms. This architectural movement combines Western building elements with Moorish decorative motifs: horseshoe arches, carved arabesques, geometric mosaics, and ornate stuccoes. This stylistic synthesis appears in a variety of structures, from places of worship to private residences, theaters, and city fortifications. The collection gathers representative examples from across Europe and beyond. In Marseille, the Alcazar Grand Theatre has displayed a façade decorated with oriental patterns since 1857. The Great Synagogue of Brussels, inaugurated in 1878, demonstrates the adoption of this style in Belgian religious architecture. In Germany, Drachenburg Castle near Bonn incorporates Moorish elements into a late 19th-century villa. The movement also reaches unexpected locations: Brighton’s Royal Pavilion blends Indian and Islamic influences for a British royal seaside residence, while rural farms in Hälsingland, Sweden, include ornaments inspired by this orientalist trend. From Pena Palace overlooking Sintra to the Justo Sierra Synagogue in Mexico city, these buildings exemplify the international spread of an architectural style that profoundly marked its period.
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