Mirador Massüe, Art Nouveau building on Avenida Rivadavia, Buenos Aires, Argentina.
Mirador Massüe is a 14-story building featuring curved lines, floral decorations, and organic forms typical of early 1900s architecture. The facade displays naturalistic motifs throughout, running from ground level to roof and rhythmically articulating the entire structure.
The building was constructed during Argentina's economic prosperity between 1880 and 1920, a period when European architecture shaped the city's character. Its construction coincided with Buenos Aires' golden years, when the city modernized rapidly and wealthy residents commissioned such European-inspired structures.
The building displays French and Italian architectural influences that shaped Buenos Aires at the time, featuring curved facades and floral patterns reminiscent of European styles. The glazed balconies and ornamental details tell of the city's yearning for European elegance in the early 1900s.
The building sits in a central area with good public transportation access, restaurants, shops, and other historic structures nearby. Visitors can easily admire the exterior facade from the street and study the architectural details at their own pace.
Architect Alfredo Massüe integrated natural motifs throughout the design, with decorative elements creating a flowing composition from bottom to top. This approach was uncommon for its time and is often overlooked, yet it sets this building apart from many of its contemporaries.
Location: Buenos Aires
Architects: Alfredo Massue
Architectural style: Art Nouveau architecture
Floors above the ground: 14
GPS coordinates: -34.60140,-58.38550
Latest update: December 6, 2025 17:43
Dutch architect Winy Maas, co-founder of MVRDV, designs buildings that experiment with form while keeping everyday function central. His work spans Europe and Asia, creating homes, cultural spaces, and offices that stand out in their cities. Each project responds to what a place needs, refusing to apply one solution everywhere. Rotterdam hosts two of his most recognized buildings: Markthal, where housing sits above a market hall, and Depot Boijmans, a public art storage building that lets visitors watch conservators work. Amsterdam's Silodam and WoZoCo's apartments show how he thinks about bringing different people together. Further afield, the Mirador in Madrid and Baltyk Tower in Poznań prove his approach works across languages and climates. Walking past these buildings, you notice they refuse to blend in. Some lean and tilt, others have grass roofs or unusual window patterns. The Book Mountain in Spijkenisse is a library shaped like a mountain. The Balancing Barn in Suffolk appears ready to tip over. These are not buildings that whisper. They speak directly to the spaces and people around them, becoming part of how their cities feel and work.
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