Womanhouse

Womanhouse was a former residence in California that artists transformed into separate rooms with installations, performances, and visual works exploring female experiences. Each space functioned as an independent artistic environment that reinterpreted domestic scenes and personal moments through installation art.

In 1972, Judy Chicago and the Feminist Art Program at California State University transformed an abandoned house into a groundbreaking art exhibition. This project marked a turning point in the art world by centering female perspectives within artistic discourse.

The rooms addressed female experiences such as bodily functions, family duties, and beauty standards, topics considered inappropriate for art at that time. The installation questioned social expectations of women by speaking directly and openly about everyday realities.

The original building no longer exists, but documentation and archives are accessible to researchers and art students through the university. It helps to research available materials beforehand to understand the different artistic concepts and spatial installations.

The project was short-lived, existing for only a few months, but was extensively documented and photographed, allowing its artistic impact to endure beyond its time. This documentation remains the foundation for understanding and reassessing its role in feminist art history.