Synagogue of Santa María la Blanca

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Synagogue of Santa María la Blanca, Synagogue in Toledo

Santa María la Blanca is a former synagogue in Toledo that blends Moorish and Mudejar architectural elements. The interior features characteristic arches, columns, and geometric patterns typical of these building styles.

Construction began around 1180, making it one of Europe's oldest surviving synagogue buildings. By the late 15th century, the structure was converted into a church, a transformation that fundamentally shaped its later use.

The building carries a Christian name despite its origins as a Jewish house of worship that served that purpose for centuries. Visitors can still sense this layered past when walking through the decorated interior spaces.

The site is walkable and located in Toledo's historic center, so comfortable shoes are recommended. Visitors can explore the interior but should expect narrow spaces and steep stairs.

The building contrasts sharply with the Gothic cathedrals of its era, instead following an Islamic style common in medieval Spanish construction. This blend of cultural and architectural traditions makes it a rare example of Toledo's medieval religious diversity.

Location: Toledo

Inception: 1180

Architectural style: Moorish architecture

Part of: Historic City of Toledo

Address: C. de los Reyes Católicos, 4, 45002 Toledo, Spain

Opening Hours: 10:00-17:45

Phone: +34925227257

Website: https://toledomonumental.com/sinagoga-de-santa-maria-la-blanca

GPS coordinates: 39.85694,-4.03044

Latest update: December 6, 2025 17:40

Neo Moorish architecture across the world

The neo-Moorish architecture developed in the 19th and early 20th centuries, driven by European interest in oriental forms. This architectural movement combines Western building elements with Moorish decorative motifs: horseshoe arches, carved arabesques, geometric mosaics, and ornate stuccoes. This stylistic synthesis appears in a variety of structures, from places of worship to private residences, theaters, and city fortifications. The collection gathers representative examples from across Europe and beyond. In Marseille, the Alcazar Grand Theatre has displayed a façade decorated with oriental patterns since 1857. The Great Synagogue of Brussels, inaugurated in 1878, demonstrates the adoption of this style in Belgian religious architecture. In Germany, Drachenburg Castle near Bonn incorporates Moorish elements into a late 19th-century villa. The movement also reaches unexpected locations: Brighton’s Royal Pavilion blends Indian and Islamic influences for a British royal seaside residence, while rural farms in Hälsingland, Sweden, include ornaments inspired by this orientalist trend. From Pena Palace overlooking Sintra to the Justo Sierra Synagogue in Mexico city, these buildings exemplify the international spread of an architectural style that profoundly marked its period.

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