Habitat 67, Brutalist residential complex in Ville-Marie, Canada.
Habitat 67 comprises 158 apartments formed by 354 identical concrete modules stacked in three pyramidal structures connected by walkways.
The residential complex, designed by 23-year-old architect Moshe Safdie, opened in 1967 during the Montreal World's Fair Expo 67.
The structure represents a significant milestone in Canadian architecture, combining urban density requirements with individual gardens and private terraces.
Located at 2600 Avenue Pierre-Dupuy, the building offers guided tours that include visits to residential units and suspended terraces.
Each concrete module measures identical dimensions, yet their innovative arrangement creates different apartment configurations ranging from one to four bedrooms.
Location: Ville-Marie
Inception: 1967
Architects: Moshe Safdie
Official opening: 1967
Architectural style: brutalist architecture
Address: 2600, avenue Pierre-Dupuy
Website: http://habitat67.com
GPS coordinates: 45.50000,-73.54389
Latest update: May 26, 2025 19:13
20th and 21st-century architecture has transformed city centers with structures that push engineering boundaries. Observation towers like the Seattle Space Needle and experimental residential complexes like Habitat 67 in Montreal demonstrate the evolution of construction techniques. Architects have explored new forms using materials such as steel, glass, and concrete, creating structures that meet the growing demands of metropolitan areas. This collection includes buildings that marked their time with innovative design. In Barcelona, Antoni Gaudí's Casa Milà features a wavy facade that breaks traditional norms, while in London, 30 St Mary Axe incorporates energy-saving technologies into its 180-meter structure. From Bilbao's Guggenheim Museum clad in titanium to artificial islands shaped in the Persian Gulf in Dubai, these projects illustrate the diversity of architectural approaches worldwide. Each building reflects its urban context while offering solutions to technical and functional challenges of its era.
This collection gathers examples of architectural rehabilitation where former industrial sites have been transformed into new spaces for living, culture, and gatherings. These projects illustrate how contemporary architecture can give a second life to structures that marked European and North American industrial history, while maintaining their original identity. Included are the Oberhausen Gasometer, a 117-meter gas holder converted into exhibition space, the Van Nelle Factory in Rotterdam, an old coffee and tobacco factory turned cultural venue, and the High Line in New York, a 1930s elevated railway converted into a 2.3-kilometer urban park. The Zeche Zollverein complex in Essen showcases Bauhaus-style industrial architecture from the 1930s, while Strijp-S in Eindhoven, a former Philips production site, now hosts creative and technological studios. These sites demonstrate the possibilities offered by repurposing industrial heritage into accessible public spaces.
The Expo 67 left multiple structures in Montreal. The Biosphere, the Habitat 67 residential complex and the Casino in the former Quebec Pavilion demonstrate the World Fair's influence on the city's architecture. The La Ronde amusement park and Alexander Calder's Three Disks art installation remain as preserved elements of this international exhibition.
This collection brings together major works by architect Moshe Safdie, whose practice is distinguished by particular attention to natural light, outdoor spaces, and the integration of buildings into their surroundings. From Montreal to Singapore, through Jerusalem and several American cities, his projects demonstrate an approach that seeks to reconcile contemporary needs with respect for local contexts. Among the featured works are Habitat 67 in Montreal, an experimental residential complex composed of stacked concrete modules offering each unit its own terrace, and the Marina Bay Sands complex in Singapore with its three towers connected by a 340-meter terrace. The collection also includes several museums such as the Yad Vashem Holocaust History Museum in Jerusalem, the Crystal Bridges Museum of American Art in Bentonville, and the National Gallery of Canada in Ottawa. Other projects like the Salt Lake City Public Library, the Kauffman Center for the Performing Arts in Kansas City, or the Khalsa Heritage Memorial Complex in India illustrate the diversity of architectural programs entrusted to Safdie throughout his career.
Old Port
648 m
Old Port of Montreal
859 m
Pointe-à-Callière Museum
853 m
Montreal Science Centre
937 m
Place D'Youville
918 m
Pointe-à-Callière
859 m
Cité-du-Havre
651 m
Habitat 67
134 m
Les chuchoteuses
988 m
Pont de la Concorde
468 m
Old Custom House
913 m
Pioneers' Obelisk
922 m
Grey Nuns' Hospital
846 m
Parc de Dieppe
712 m
John Young Monument
858 m
Square des Frères-Charon
849 m
Habitat 67
99 m
Pointe-à-Callière: Pavillon de l'Ancienne-Douane
916 m
Immeuble Joseph-Amable-Berthelot
995 m
Buchanan Warehouse
875 m
Harbour Commission Building, Montreal
732 m
Daniel Mcallister
694 m
Customs House
873 m
Elevator 5 B1
521 m
Elevator 5, Annex
689 m
William W. Ogilvie Building
863 m
Maison Elizabeth-Mittleberger-Platt
963 m
Elevator 5 B
603 mReviews
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